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3 Sep 2007
Mars Planets: the atomisation of the Mars Bar. An entropic dis-integration, the tendency of all things to become more chaotic, in confectionery form. I’m trying to resist the impulse to tie this stuff up to no-such-thing-as-Society atomisation because that’s not how we do things, right? And Mars Planets are better to share than a proper big […]
13 Aug 2008
#428, 18th November 1978 “Rat Trap” is billed – in the Guinness Book Of British Hit Singles, no less – as the first punk No.1. I couldn’t recall it – my memories of the Rats themselves were vague; Geldof I knew for later good works. So I approached “Rat Trap” cold but with a frisson of definite […]
3 Oct 2004
In search of Squirrel – Part two (warning, contains graphic images) Some of you may remember this article I wrote some time ago about my “failure” as a vegetarian and my quest for the different. Well, I’ve done it. Squirrel had become a bit of an obsession, I’d chased up all sorts of alleys (Julian […]
9 Jul 2010
So we get a winner, down on Brewer Street in Soho, the Glasshouse Stores was voted the number one pub of the noughties by those of us who voted. A nice pub sure, but so much better than the others? To find out why it scored so highly I thought I would canvas a number […]
10 Jul 2017
#924, 4th May 2002 At The Disco A scene from Phonogram III: The Immaterial Girl, by Gillen, McKelvie and Wilson, published in 2015. It’s the early 00s, at a disco somewhere in the south of England. A group of people who love music so much it’s become their life and the tools of their craft […]
28 Jun 2013
We are now firmly into the BRITPOP YEARS on Popular, oh yes, so it’s time to consider its musical legacy in the only language we truly understand, viz. a ticky-box poll. We have selected 32 bands who someone, somewhere, might possibly have once described as Britpop. Tick all the ones you like and by science […]
23 Mar 2014
#773, 13th September 1997 “Whenever we played that live there would be rows of grown men crying. It was almost like these guys couldn’t cry when they needed to cry, but that song operated like a pressure valve for them and it was okay for them to cry at a big rock concert.” – Richard […]
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